![waves x noise vs z noise waves x noise vs z noise](https://i.ytimg.com/vi/JuxLgJIakS8/hqdefault.jpg)
As with any Audiosuite plug–in, you first select the Region you want to process and then select the plug–in from the Audiosuite menu. Production Declicking lets you analyse and declick audio files, regions and audio selections. Sonic Solutions’ bundle caters for these with the Audiosuite–only NoNoise Production Declicking and Production Decrackling plug–ins. The next process is usually decrackle, which is designed for correcting dense, impulsive noise, like the low–level surface noise you get on a vinyl record. Click And The Noise Is Gone!ĭeclicking is often necessary when restoring recordings from vinyl, and should be performed first so that clicks don’t interfere with subsequent processes. For completeness I scored the plug–ins from the first shootout as well, except for the BIAS plug–in, which wouldn’t function on my current system for some reason. When it came to editing, it was realised that a sequence had suffered from peak distortion, so they came to me to see if it could be cleaned up. The new ‘Peak Distortion’ example came from a client who had done a video shoot in New York. Hiss: a Minidisc recording made with the wrong lead.Vinyl Record: a typical scratched vinyl record with surface noise.Tape Motor: an old recording made on a Grundig open–reel quarter–inch tape recorder at 3.75ips.No Earth: a recording where mains hum is nearly as loud as the wanted content.To recap briefly, the four original test files were as follows:
![waves x noise vs z noise waves x noise vs z noise](https://www.lnbbroductions.com/wp-content/uploads/2020/05/logic-pro-x-plugins-noise-removal.jpg)
I have included the results from the first shootout in the Test Results table on page 196. A high ‘ease of use’ score means it was quick and easy to get to a good result with a plug-in. All files were treated in one pass using one plug–in, taken to the point where artifacts just became audible. This way you can make valid comparisons with the performance of the plug–ins from both shootouts. I tested these plug–ins using the same sample files I used in my first shootout back in August 2005, with the addition of a new file to test the ability of decrackle plug–ins to remove peak distortion, and have marked the results in the same way, giving a score out of 10. MR Hum, MR Click, MR Noise and MR Gate do as their names suggest, while MR Restoration combines all the individual processes into a single plug–in. Wave Arts’ Master Restoration Suite is a suite of plug–ins which all come in both RTAS and Audiosuite formats. You can also use a five–band EQ to modify the noise profile, to make Z–Noise more or less sensitive to various frequency bands. Waves have added a number of different ways to obtain a noise profile, as well as an Adaptive option that makes it possible to ‘learn’ a noise print on the fly. Waves’ Z–Noise plug–in has a number of additional features over the original X–Noise which was included in their Restoration Bundle. With NoNoise the TDM plug–ins undertake a range of functions only available in real time, and so it is not possible to set up and refine a plug–in using the TDM version, copy the settings across to the Audiosuite version, render the file and move on. Some are in TDM and some in Audiosuite format, but unusually, these are not different versions of the same plug–ins. Like most restoration software, NoNoise comes as a number of separate plug–ins to make up the package, each with their specific task.
#Waves x noise vs z noise pro
For the last few years, their algorithms have been available for the Pro Tools platform.
![waves x noise vs z noise waves x noise vs z noise](https://www.bhphotovideo.com/images/images500x500/waves_xcrtdm_x_crackle_1130835.jpg)
Sonic Solutions have been in the restoration field for as long as I can remember and so have amassed phenomenal experience in producing good–quality audio restoration products. To see how the original contenders fared, and for more detail on the tests that were used, dig out your August 2005 issue or surf to The Contenders The plug–ins we are going to look at are NoNoise from Sonic Solutions, Z–Noise from Waves and the Master Restoration Suite from Wave Arts. Since then, a number of manufacturers have brought out new restoration products, so we thought it was high time to take a look at the newer kids on the block. We find out if the latest are really the greatest.īack in August 2005 we took a look at three audio restoration plug–in packages for Pro Tools: the Restoration Bundle from Waves, Sound Soap Pro from BIAS and the Restoration Tools package from Sony Oxford. The range of specialist restoration tools available for Pro Tools continues to grow.